by Morgan O’Neill
I cannot explain what made me think of Robert Herrick as I stood there, in the middle of the Curve show last February looking at this beautiful, delicate diaphanous baby doll designed by Jane Woolrich, but I did. It was exquisitely simple, though I knew that the intricacy in the detail and the quality of the workmanship was anything but simple. The first lines of Herrick’s poem, Delight in Disorder, … Read More
